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The Catalyst

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11th July- 20th September, 2026
Loudspeakers Summit Assemblage:
Speakers of the World, United!
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Lenny and the Primitivist
Opening: 11th July 2026, 6PM
Opening Concert Streaming from Peace Habitat, 7:30PM

As I sit and write this, I can hear the plumber in the bathroom down the hall of my rented flat, pulling up the tiles. A visitor had seen the tiles, which are cracked and breaking apart, and expressed concern that they contained asbestos: “You need to get that sorted out.” So I called the landlord, who called the plumber, who came and looked and said he did not think they were asbestos, no, but he would take them up regardless, because they had cracked. He is breaking them off the concrete one by one with a chisel. There is dust everywhere. As he works, I am googling the type of vinyl I think it is, and I am pretty sure it is asbestos. They are the original tiles, and the dates match up, and they look the same. They seem brittle in the way that a dangerous thing might be. My throat itches. The more pictures I see, the worse it feels. I hold my breath. I open a window. I swallow heavily. The sensation is not dissimilar to how I feel when I look at the work of Lenny and the Primitivist. Just Lenny and the Primitivist. I want to say it is abject, this feeling, but that wouldn’t be right. The abject is matter out of place, and this seems to me the opposite—something too much in its place. Too close. Of course, harmful particles are not supposed to exist in your lungs, but the fact that I can summon the feeling almost immediately by looking at an image would suggest otherwise. Maybe uncanny is the word I want.

Many experts agree that it’s refreshing to see good art with real historical gravity and scope, one that frames today’s convulsions toward justice as part of a generational struggle. Next show goes up, last show comes down. What’s missing is contemporary art that addresses itself to eternity. But Contemporary Art, as a genre and periodization of art history, fixates on the present by definition. You could cut this several ways – market, media, audience. It’s been clinically proven that today’s artists, by and large, are business people; they make products, which they need to sell quickly, in order to buy materials and (often) to survive. They’re not thinking about Judgment Day, just September.

But Loudspeakers Summit Assemblage: Speakers of the World, United! ask for a very specific kind of attention, one that directly touches the body and what it protects; Lenny and the Primitivist’s attention to detail plays out thematically —sometimes in a trickling, fluid obsession, as with the recurring use of small loudspeakers, large loudspeakers, and even larger loudspeakers. By revealing the illusionary foundations of cultural projects in which the only escape is for the purpose of eternal return, Lenny and the Primitivist approached the inside as a special case of the outside wasteland, a site of living, layered presences, fetishizing and fixing their absences on the surface of things. Distortions in time, changes in scale, and results may vary, senses of derealisation and depersonalisation. Makeshift force fields, made-ready objects, corners of the mind, and other-worldly figures mobilized as transports of the imagination capable of stirring the mind out of its single room-squalor and into a larger, more complex wasteland.

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I hold my breath. I open a window. I swallow heavily. I am still worried about the dust from the tiles. Of course I am; I don’t want my container to be contaminated. Disclaimer: Xevarion Institute respects the freedom of many different and maybe opposing artistic expressions. The views and opinions expressed by the visitors in their hearts and minds do not represent the stance of Lenny and the Primitivist. However, while a visitor enjoys the freedom of artistic expression and creativity, he/she must also abide by the Laws of Hong Kong and assume responsibilities for opinion and expression by many other individuals concerned and his/her/they/them ideology, religious belief and socio-political conviction.

The Catalyst
上環荷里活道218號地下
G/F, No. 218 Hollywood Road, Sheung Wan, HK 

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No.218 Hollywood Road, Sheung Wan, HK © 2026 The Catalyst

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